Elena Gilbert (
braveandstupid) wrote in
alltheroads2012-04-15 12:29 pm
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wickery bridge } { it's time to say goodbye to turning tables
She walks away, and she doesn’t look back. She doesn’t listen when Stefan pleads with her to get in the car, and she doesn’t take the easy way out to go with him in the car. She can barely even look at him right now, so she isn’t going to make things worse by trapping herself in a car with him, again.
She had been fighting for so long to save him, to believe that the part of him that she had fallen in love with is still there, and in five minutes, it is all thrown back in her face. She can’t give up on him, she won’t, but now she’s starting to wonder if what she thought was there, if what she thought this meant was ever really there at all. She’s eighteen years-old, and she knows that people say things always feel so much more intense when you’re a teenager, but she never realized that that also meant the bad as well.
She still wouldn’t give up on Stefan. She still would fight for him with everything that she had, because it’s the only thing she can do, but she isn’t sure if she can love him again. She isn’t sure if the person she fell in love with is ever coming back.
The tears are starting to dry sticky against her skin, and she knows that she should probably call someone to come get her. Wandering through the streets of Mystic Falls at night with all the hybrids around isn’t the smartest move. They probably wouldn’t kill her, given who she is to Klaus, but she isn’t sure that they’ll completely leave her alone either.
She couldn’t call Damon—given his feelings for her at the moment, she isn’t sure she could trust herself to be alone with him. Bonnie is mad at her, Alaric is probably drunk at this point—in fact, most people she knew were probably drunk at this point. Her fist closes around her phone in her pocket, and then releases it. She just needs to walk. She needs to get all her emotions out so that she can put on the brave face tomorrow, and go on saving Stefan as though nothing’s happened.
Damon has done worse to her and she’s still managed to forgive him. It wouldn’t be fair if she didn’t do the same for Stefan, who she actually loves.
So she just keeps walking. Eventually she’ll find her way home, but for right now, she’s alone on the side of the road, and needs to keep walking.
She had been fighting for so long to save him, to believe that the part of him that she had fallen in love with is still there, and in five minutes, it is all thrown back in her face. She can’t give up on him, she won’t, but now she’s starting to wonder if what she thought was there, if what she thought this meant was ever really there at all. She’s eighteen years-old, and she knows that people say things always feel so much more intense when you’re a teenager, but she never realized that that also meant the bad as well.
She still wouldn’t give up on Stefan. She still would fight for him with everything that she had, because it’s the only thing she can do, but she isn’t sure if she can love him again. She isn’t sure if the person she fell in love with is ever coming back.
The tears are starting to dry sticky against her skin, and she knows that she should probably call someone to come get her. Wandering through the streets of Mystic Falls at night with all the hybrids around isn’t the smartest move. They probably wouldn’t kill her, given who she is to Klaus, but she isn’t sure that they’ll completely leave her alone either.
She couldn’t call Damon—given his feelings for her at the moment, she isn’t sure she could trust herself to be alone with him. Bonnie is mad at her, Alaric is probably drunk at this point—in fact, most people she knew were probably drunk at this point. Her fist closes around her phone in her pocket, and then releases it. She just needs to walk. She needs to get all her emotions out so that she can put on the brave face tomorrow, and go on saving Stefan as though nothing’s happened.
Damon has done worse to her and she’s still managed to forgive him. It wouldn’t be fair if she didn’t do the same for Stefan, who she actually loves.
So she just keeps walking. Eventually she’ll find her way home, but for right now, she’s alone on the side of the road, and needs to keep walking.
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He is incapable of taking a good, hard look at it, his life -- past or present -- and finding she isn't in it. Elena is inextricably entwined into so much of who he is and what he has been through. Giving up on the idea of the two of them finding their way back to each other was painful. Matt may not be relentlessly stubborn to the point Elena is, but he doesn't give up in his own quiet way.
She may no longer be that girl she used to be before the car drove off the bridge, but Matt knows who Elena is. He knows what she looks like when she's happy, and he knows what she looks like when she's sad. They may not be together anymore, but they will always be a part of each other's lives. He will always look out for her.
Anything else to him is unthinkable.
It's why, when he catches sight of her form on the side of the road, his truck comes to an abrupt halt. Things have been crazy the past year, crazier than usual, and while Matt's still just the guy wondering how the hell it all got so screwed up, he also understands now how bad things can take a turn for the worse in a split second.
Stefan is back, Klaus is in town, none of the people he cares about are safe, and one of them is alone on the side of the road. One of the people he cares about most.
Something happened and he knows it.
"Elena?" he asks, the worry catching in his throat.
Matt gets out of the truck as he moves to catch up with her.
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As much as she tries, however, she can't stop the thoughts and feelings from buzzing around her head like a hive of bees. It isn't until she sees the brightness of his headlights coming from behind her that she stops, turning around to try and see who's coming behind her.
One hand comes up to cover her eyes to try and peer into the brightness of the lights, and as Matt gets out of the truck, she can make out his face in the shadows.
"Matt? What are you doing here?"
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It's a crappy deal all around, but it's his, and it's all he's got.
It's also the last thing on his mind as he takes in the sight of her.
A hand darts out to cup her cheek. "Elena, what's wrong?"
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Then she remembers that it's Matt, not Stefan. That Matt wouldn't take away her choice like that, and she relaxes. Not much, but she tries. There's a fresh surge tears at that, that what happens is scaring her away from Matt, and instead of an explanation, all that comes out is a babble of apologies.
"I'm sorry. Matt, I'm sorry."
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Matt's hand drops like it's been burned, and he lifts both hands in front of him. He won't touch her. He won't, even if what he really wants is to step forward and hug her.
There's a tightness working at his throat, and his voice sounds thicker than he knows it to be.
"Elena, what's going on?"
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And there's a part of her that needs to face it.
"Stefan ... forced me to drink his blood," she says softly. One hand comes up to brush away the tears, but they are just going to be replaced by new ones anyway. "And then he almost drove us off the Wickery Bridge."
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"He what?" Matt asks, in a barely controlled voice. There's the urge to find Stefan and do -- do what, Matt? He's a vampire. He could break you in half before you even began to catch up with him. The anger surges within him, anyway.
"Why the hell would he do something like that?"
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"Some -- some kind of power play," she says with a sniffle. "All he cares about is destroying Klaus, and he'll do whatever he has to do to make that happen even -- even if that means turning me into a -- "
She couldn't even say the word. After everything they've been through, after everything she told him about how she didn't want to be a vampire, she can still taste his blood on her tongue, and it she feels like she needs to be sick.
"He thinks he has nothing left."
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He recognized her and he didn't, and Matt doesn't know what hurt more.
The urge to hurt Stefan, however, isn't greater than the need to be there for her. "That doesn't mean he can just do this," he says, knots still working at his throat.
Matt steps forward, this time more hesitantly, but he's reaching for her again.
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She can't afford to do that. But she doesn't know if she's strong enough to stop it.
This time, when Matt reaches for her, she doesn't flinch away. She lets him pull her in and buries her face in his shoulder letting him support her for a little while.
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The painful tug at his heart remains as he brings her into his arms, slipping them around her frame and pulling her in tight, but gentle, too. After what she went through -- and he can't force himself to picture it without seething -- the last thing he wants to do is be anything but gentle.
There's a firmness to his hold in spite of this, a steadiness that's meant to convey I'm here.
She is not alone. Not if he can help it.
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There was a point where it had been too much for her to handle. After her parents had died, he had been steady for her and she didn't want him to be. She wanted him to be unreliable and be just as scared as she was, but he wasn't. Matt is a rock.
Matt is her rock.
She sinks into his hold, something familiar, something that she knows she can count on, and just lets the tears spill into his shoulder. He's the one thing she knows will always be the same, and there had been so many times she had taken that for granted.
She isn't doing that now.
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And then there was Elena. The sight of her, familiar and filled with solace, reminded him of home. He held on tightly to her as he's doing now, only he's the one that wants to give the solace.
She's always so strong for everyone. She's always trying to protect and take care of people. Matt wants to give that back to her. He doesn't let go as the tears spill, only brings her closer to his chest, hand sinking into the strands of her hair.
"Let me take you home, okay?" he asks against the top of her head, his other hand drawing smooth circles at her back.
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Her eyes close as the hand against her back soothes her and she nods against his shoulder. "Okay," she says softly. She doesn't think there's much more to say than that.
Though she is aware that she's going to have to let him go if he's going to drive.
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If she's not ready to, they can stand there, holding each other for a very long time. It's not as if he has any problem with that. Elena in his arms is something that always will make sense to Matt, even if he hates he can't protect her from what's hurting her now.
He tightens his hold, only a little. His throat's pinched. "Okay," he echoes softly after her, the word weighted by the heaviness and the worry he feels.
Once she lets go, he leads her to the truck, opening the door for her. She doesn't have to say anything until she's ready, either.
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When they do finally pull up to her house, it's completely dark. She has no idea where Alaric is, but the last thing she wants to be right now is alone.
"Can you stay?" There's a pause as she thinks about how it sounds. "Just until Alaric gets back."
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"Of course," he says. He doesn't add she didn't have to ask, because she didn't, but the sentiment is there in the tone of his voice.
He'll open the door for her and glance around, before he follows her into the house. He's spent so much time there, it's a familiar feeling, stepping in. "You want me to make some coffee?"
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She makes her way around the front of the couch, collapsing into it and grabbing a blanket. "What were you doing out there anyway? I figured you would have been home by now."
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Beats going back home to an empty house and those boxes of Vicki's, some of which he'll never be able to get rid of.
He sits across from her, close by.
"... You wanna talk about it?"
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"Is this just about Klaus?" he asks, the name practically dripping with the venom he feels. Elena said earlier it's all Stefan thought he had.
Destroying Klaus. Does he have to drag everyone else into it, too?
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It makes her feel stupid. Like she was waiting, hoping, fighting for something that wasn't supposed to be hers anymore. He doesn't want to be hers anymore. That's what it has to be, doesn't it?
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He won't pretend he gets the whole thing with the Salvatores, not just where Elena is concerned, but in general. Matt doesn't trust them, and he doesn't necessarily like them, but Elena is one of the people he cares most about.
Matt does want to try and understand.
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Now she's wondering if she ever really saw him for who he was. If she ever actually understood what it meant to be a vampire. She knows he's made his mistakes, but in a selfish kind of way, she always felt safe with him. And until an hour ago, she still did.
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Her voice trails off and Matt nods in understanding. As much as he can understand this situation.
"You know I only want what's best for you, right?"
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"Yeah. I do."
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He'd rather she count on him than not be able to.
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"Thanks for ... picking me up."
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The thought is absurd, but it returns to him just now, and how Elena remembers it.
"Anytime, Elena," he says, a solemnity to his voice that's only understandable for what just transpired.
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Even after all this time, Matt is the last person in the world she wants to hurt. Sweet, steady, strong Matt who takes the crazy life that Elena has thrust them into and is still sitting on her couch, learning how to deal with it.
"Matt, I know I don't make things easy." She wishes she could. She wishes she could just cast a spell, and all the vampires would leave her alone, but she's not a witch, and her face would always be what it is. "I'd understand if you needed ... space."
Space is what they never really got. Space isn't something you can get in Mystic Falls, but sometimes it's worth it to try.
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"After Caroline... " his voice trails off and he stops. After finding out Caroline was a vampire, after finding out what happened to Vicki, a permanent break is what he felt he needed. A clean break. His friends were all liars, and what could he trust?
Part of it was his grieving. His anger, and his not knowing where to direct it. Time has passed since, and Matt's not looking for a break. "I used to think I wanted to live my life without all this, you know? Life sucked, but it was mine."
He had the control.
"I don't need space anymore, Elena." He leans forward, his hand reaching for hers, his blue eyes very serious. "I'm here for you and I'm not leaving you alone with any of it."
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There's a moment of complete gratitude on her face, before leaning closer to wrap her arms around him. If anything, the contact is what she needs right now, and Matt is there.
"Thank you."
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He can give that to her. He wants to, to be an anchor in a world that constantly tilts itself off its axis.
"You're welcome," he whispers softly against her hair, tightening his hold just a bit.
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She holds the hug for a moment, before starting to pull back. "We should ... do something else. Watch a movie, maybe?"
Something that isn't dwelling on the events of tonight.
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"That depends. Is it a chick flick?"
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It's not uncommon knowledge he's a sucker for your face, Elena Gilbert.
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She picks something at least tolerable on Matt's end, before popping it into the player and returning to the couch.
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He returns around the same time she makes her way to the couch, so he follows in suit, placing the bowl on the table before he plops down next to her.
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She doesn't really feel inclined to remember at the moment.
She pops a couple of the kernels into her mouth before nodding. "Good job with the popcorn."
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He settles further into the couch alongside her, keeping close.
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As the movie progresses, she feels the emotional exhaustion of the day starting to catch up with her. Her head slowly starts to drop to Matt's shoulder as she relaxes against him. A few minutes later, she's fast asleep and probably not going to be roused anytime soon.
She promises she'll make it up to you later, Matt.
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He shifts a bit to the side so she'll be more comfortable, a hand wrapping around her shoulders as he brings her in. He'll place the blanket nearby above her frame. His throat works tightly and then he shakes his head, lowering the volume of the television so it doesn't wake her.
She has nothing to make up to him. He said he'd look out for her.
And Matt Donovan always will.